Lyrics
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When Thou Must Home Midi MusicWhen Thou must home to shades of under ground,And there ariv'd, a newe admired guest, The beauteous spirits do ingirt thee round, White Iope, blith Helen, and the rest, To heare the stories of thy finisht love, From that smoothe toong whose musicke hell can move: Then wilt thou speake of banqueting delights,
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What If a Day Midi MusicWhat if a day, or a month, or a yeare,Crown thy delights with a thousand sweet contentlings? Cannot a chance of a night or an howre Crosse thy desires with as many sad tormentings? Fortune, honor, beauty, youth are but blossoms dying;
Earthes but a point to the world, and a man
All is hassard that we have;
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Follow thy faire Sunne Midi Music Follow thy faire sunne ,unhappy shaddowe:
Follow her whose light thy light depriveth:
Follow those pure beames whose beautie burneth,
Follow her while yet her glorie shineth:
Follow still since go thy fates ordained:
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Follow Your Saint Midi MusicFollow your Saint,follow with accents sweet,Haste you sad noates fall at her flying feete; There wrapt in cloud of sorrowe, pitie move, And tell the ravisher of my soule I perish for her love, But if she scorns my never-seasing paine, Then burst with sighing in her sight, and nere returne againe. All that I soong still to her praise did tend,
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Fire Fire Fire Midi MusicFire, fire, fire, fire!Loe here I burne in such desire That all the teares that I can straine Out of mine idle empty braine Cannot allay my scorching paine. Come Trent and humber, and fayre Thames,
Fire fire, fire, fire!
Come heav'nly showres then, pouring downe;
To return to the top of this page click here Source:Walter R. Davis, The Works of Thomas Campion, Doubleday,Garden City, 1967A Booke of Ayres XXI. Come, let vs sound with melody, the praises
Heau'n is His throne perpetually shining,
O sacred sprite, inuisible, eternall
Rescue, O rescue me from earthly darknes,
Cleanse my soule, O God, thy bespotted Image,
But when once thy beames do remoue my darknes,
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Though you are young and I am olde,
The tender graft is easely broke,
Thou that thy youth doest vainely boast,
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My loue hath vowd hee will forsake mee,
Had I foreseene what is ensued,
Dissembling wretch, to gaine thy pleasure,
That hart is neerest to misfortune
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Turne backe, you wanton flyer,
What haruest halfe so sweete is
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Booke of Ayres (1601) version. The man of life vpright,
The man whose silent dayes,
That man needs neither towers
Hee onely can behold
Thus, scorning all the cares
Good thoughts his onely friendes,
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A Booke of Ayres
XI.
Fates, if you rule louers fortune,
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My sweetest Lesbia, let vs liue and loue,
If all would lead their liues in loue like mee,
When timely death my life and fortune ends,
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When To Her Lute Corinna Sings When to her lute Corrina sings,
And as her lute doth liue or die,
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Beauty Is But
A Painted Hell
Pittie from eu'ry heart is fled :
Sorrow can laugh, and Fury sing :
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Thomas Campion was born in London on February 12, 1567. Campion was: a
law student, a physician, a composer, an author of masques, a poet.
Campion's parents died in his youth. With his inheritance
he was able to attend Peterhouse, Cambridge from 1581-4. Campion
departed Cambridge, without a degree. 1586- Admitted to Gray's
Inn in London for law atudy.
1588- Participated in the Gray's Inn revels
1594-wrote songs to the Gesta Grayorum revels.
Campion's first poems were written in Latin. The quantitative
versification of classical Latin poems is also seen in his
English poems and songs. Campion was
1591- First Publication- five songs appeared in an illegal
edition of Sidney's Astrophel and Stella.
1595- Published , a collection of Latin epigrams, called
Poemata
(1595).
Campion is most famous for his lyric poems, which
are known for musical quality and charm.
The songs were published 1601-1617 - four books
of airs. The first book was-
A Booke of Ayres to be Sung to the Lute, Orpherian
and Bass Viol (1601).
In 1602 he published the prose work Observations
in the Art of English Poesie, in which he "attacked ' the vulgar and
unartificial (i.e., inartistic) custom of rhyming.' "1 these theories were
refuted by Samuel Daniel in Defence of Rhyme (1603).
(1602-1605)Campion was on the Continent.
Received the M.D. degree from the University of Caen
in 1605.
Campion returned to England, and was practising as a
doctor in London from 1606.
Wrote several masques which were performed at the court
of James I.1
Lords' Masque (1613).
1613 A New Way of Making Fowre Parts in Counterpoint,
a music theory text.
In 1615 Campion was questioned in the case of Sir
Thomas Overbury, was found innocent and released.
Campion died in London, probably of the plauge, on March
1, 1620 and was buried at St. Dunstan's-in-the-West.
Percival Vivian on Campion:
His early extravagances he outlived; and if it were possible to recall
the time of his later years, we may imagine thatwe should find a kindly
gentleman, full of ripe experience and judgment, yet cherishing the
memories of old loves and friendships, and the generous illusions of youth
; devoted to the studies of poetry, music, and medicine, a true son of
Apollo, as he was never tired of urging; clothed with that finer
tact and sympathy which comes to a good physician. (Works, xlix-l)3
Bibliography:
Davis, Walter R. Thomas Campion (1987)
Eldridge, Muriel T. Thomas Campion (1971)
Kastendieck, M. M. England's Musical Poet: Thomas Campion (1938)
Lindley, David. Thomas Campion (1997)
Lowbury, Edward, Timothy Salter, and Alison Young. Thomas Campion: poet,
composer, physician (1970)
Peltz, Catherine W. "Thomas Campion, An Elizabethan Neo-Classicist."
Modern Language Quarterly 11 (1950), 3-6.
Short, R. W. "The Metrical Theory and Practice of Thomas Campion." Publications
of the Modern Language Association 59 (1944), 1003-18.
Vivian, Percival, ed. Campion’s Works (Oxford, 1909)
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